I received my new Tascam US122L USB 2.0 Audio/MIDI Interface & preamp yesterday and won't have time to read up on it until Monday. The pro's recommended this unit to overcome my problem experienced by plugging the dynamic mics directly into the computer sound board. I had to have the mics too close to get any volume, plus I had an inherent background noise that was less than desirable. This unit with a preamp should bring the gain up so I can keep the Heil mics spaced away further. Also the direct USB plug in should eliminate any problems that might be in the sound board. Instead of using three adapters to go from balanced line to 1/8 inch phone, it has XLR jack inputs so I can hook the pro balanced line Heils direct. It also has phantom power (which I don't need) or basically a voltage run through the mic cable for using electret mics that now days are incorrectly called condenser mics. They are a form of a condenser or capacitor mic, but differ from a true condenser mic that will run several hundred to a few thousand dollars. http://en.wikipedia.org/wiki/Electret_microphone - I found the Heils perform as well if not better than expensive condenser mics for recording live acoustical instruments, especially flamenco. Positioning of the mic is not as important as with a condenser. With this USB interface and preamp hooked to my desktop, I hope to simplify recording. My purpose for recording is to post my playing on our download section for your enjoyment or not and for your critique. Also so my kids and G kids can have a recording of my playing when I have departed this planet.
I am interested to hear what others use to record and how you combat the problem of recording nerves. It shouldn't make any difference whether the recorder is on or not as I am the only one present when recording or playing, but it does. This is a physiological problem I hope to overcome by just letting the recorder go frequently so it becomes a routine part of my practice. Any other ideas on how to overcome this problem?
