I've always loved flamenco however never really attempted to learn any, except for a few rasgueados rhythms that were more to show off to my friends than anything else. About 2 years ago I decided to take my guitar playing seriously and started learning classical. It's been a great journey for me and all aspects of my guitar playing have improved from learning classical techniques, and I've really enjoyed learning some beautiful songs. Now I find myself hear. For the last few weeks I've been exercising with flamenco techniques to strengthen my right hand and listening to more and more flamenco because of it. And now the passion is there. I can't avoid it anymore so I searched to web for this site to start on my next journey of flamenco. Just a fast question in case someone will reply to this. Do flamenco guitarist play nearly everything apoyando? I've been watching quite a few on youtube and it looks and sounds like they do.

Looking forward to my membership hear
Derrick

Welcome to the forum Derrick. Yes, one difference in a classical sound and a flamenco sound is the use of rest stroke. It is not just about speed as many think, but control and dynamics that give flamenco its character. Glad you found the foro and have interest in traditional flamenco.

Welcome to the foro, Derrick,

We're glad you have joined us. You are among friends who share that same passion.

In answer to your question, " Do flamenco guitarist play nearly everything apoyando?, The answer is no. It depends on the effect you wish to achieve. Apoyando, (rest stroke) is used for emphasis, control and speed. The tirando, (free stroke) is used for arpeggios, both fast and slow and to depict a sweeter more gentle tone.

In my intro post, I mentioned “Flamenco Guitar Basic Techniques” with CD by Juan Serrano. This an excellent way to learn Flamenco.

The book starts with many rasgueado, tremolo, legato and arpeggio exercises followed by 11 typical Flamenco pieces (Sevillanas, Farrucas, Soleares etc.). All the exercises and repertoire pieces are on the CD, so you can play along with Serrano. He explains the rasqueados technique very well. Spend time practicing these with the CD until you “get it”.

The repertoire pieces are easy to read and memorize and sound more complicated than they really are. The book is written in English and Spanish and the music is in notation and tabs.

Have fun and enjoy your new passion.

Lorette