by SamC » 06 Dec 2011, 12:43
Welcome to the forum. I know the UK has many interested and performing flamenco. The best advise is to find recording and videos of the important palos, Solea, Alegrias, Bulerias, and Siguiriyas that have a sound and feel that appeals to you and then listen to them repeatedly. Don't try to figure them out right away, just listen. This will train your mind for a later time. The Martin and Serrano books and CD's are the best for starting out. You will find that many of the falsetas they use are similar to the masters past and present. Since your left hand is basically in shape, concentrating just on the right will no doubt make it easier for you over beginning from scratch. Concentrate on using your thumb and play arpeggios using basic chords using your thumb entirely. This will help with a good rest stroke and teach your thumb speed and accuracy, You will notice it will develop a circular motion. Once the thumb is working smoothly, add one finger at a time to the arpeggios. Learn picato not just using imimim,etc., but mamamama also. Not that you will use mama for picato runs, but this will develop speed and accuracy for arpeggios, plucks, etc. Also help with the golpe. Rasqueados are a personal thing in my opinion and experimenting with different ones and finding ones that seem to come more natural for you is best. The old school sami is a good start and still used by most old school players. As you know Serrano has his own and you do not have to use it to play his material, just be sure whatever one you use covers the same amount of time. I use samip as a subtitute for his isami and it works nicely especially in the Bulerias. I am a great believer in one developing their own style of flamenco. Basic rule is always observe compas. Using a metronome is a good way to start, but be careful that it doesn't become a problem and distract from in time getting the emotion necessary for flamenco. As a rock player you probably know something about the old Delta blues. While flamenco is different in many ways it is the same in that it must evoke emotion. Flamenco is based on the verse and singer. Solo guitar has the challenge to evoke this same emotion. Teaching yourself is a longer process, but has worked for many including some of the masters. Having a teacher is a good thing if they really know flamenco. Unfortunately many teaching flamenco should not be and finding a good in person teacher can be difficult. With the internet learning has been made easier. You might contact Tomas Jimenez as he might be able to do online lessons with you and possibliy on occasion you might travel to his location. Not sure what the distance is between you, but worth checking out. Tomas is a great teacher and knowledgeable flamenco.
Sam