Based on ideas from Sabicas, Carlos Montoya, Juan Serrano, Vicente Saucedo, and Jose Feliciano. This is much the way I played it in the 70's. My playing was much faster and cleaner then. Why a Malaguena? Because most general audiences don't understand or appreciate a player pouring their heart out with a Siguiriyas, Solea, Bulerias, and even a Tango. I always saved it for the encore like Sabicas did on occasion if the audience showed any sincere appreciation for the other palos.
Malaguena 2.mp3
